Propaganda by design

Bold is timeless

This is not a conversation about US politics, or politicians.

It takes guts to paper yourself all over town. But that’s what hundreds of politicians all over the world do.
All the time. And a smart politician knows a great visual can change minds, captivate and move the masses.

Here in Canada, I’m watching what’s going on south of us , and I’m loving all of the campaign posters, the official ones, and the unsanctioned versions. US campaign posters have experienced a cinematic glow up since 1789. Printing methods have come a long way since then, I’m sure George Washington had more looks than just “stern”, but turnover for creating and printing new versions was prohibitive, plus the public hadn’t yet been conditioned to expect a constant stream of new “content”.

Graphic design’s primary objective is to solve problems. And politicians are problematic by nature. There is no designer who would pass over an opportunity to design an election poster for a nominee willing to take some risks. I have chosen to show the more stylized and artful posters. Many of the Republican posters are corporate and safe, except for 1980 Reagan, and he was a movie star, he knew his best side.

The goal of any movement is to enlist people. Whether it’s a person, or an idea, the most effective visual messaging is bold and minimal, with space for a citizen to imagine themselves into the empty space. The more specific and detailed the image, the more ideas get lost. More details equal more opportunities to make a wrong move.

This approach doesn’t just serve campaigns and political movements. Visual clarity can modernize a stagnant brand, and revitalize the visual presence of just about any service offering I can think of. It may be that if a brand manages to encapsulate their message in a tight, clean and striking visual, they must have their business practices moving in the same elegant and confident way.

Gutsy works, but it takes guts.

These are some examples of propaganda that did the job, some that didn’t, and some that might.

Image sources: The Marginalian, Wikimedia Commons, The Smithsonian Archives

– Sarah Deschamps, Lead Designer at Violet Webworks